ラジカル！(Rajikaru!)
Experimentations in Japanese Art 1950–1975
April 27-29, 2007
Co-organized by the Getty Research Institute (GRI) and the PoNJA-GenKon, this conference celebrates the innovative and radical experimentations by artists in postwar Japan.These programs are generously funded by the Getty Research Institute and the UCLA Paul I. and Hisako Terasaki Center for Japanese Studies.
The events are organized in conjunction with the exhibition Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950–1970, curated by Charles Merewether and Rika Iezumi Hiro, as well as a series of screenings on Japanese video art programmed by Glenn Phillips and Rika Iezumi Hiro at the GRI and Gabriel Ritter at the Museum of Contemporary Art, Los Angeles.
Download Preliminary Flyer [PDF]
Day 1: Friday, April 27
Screenings and Live PerformancesGetty Center, Harold M. Williams Auditorium
Registration (separate reservation required for each day)
Day 2: Saturday, April 28
ConferenceGetty Center, Museum Lecture Hall
Program [PDF]
Abstracts / Participants Profiles [PDF]
Registration (separate reservation required for each day)
Day 3: Sunday, April 29
Graduate WorkshopUCLA Armand Hammer Museum, Gallery 6
Program [PDF]
Abstracts / Participants Profiles [PDF]
Registration
Hotel information: Please e-mail to MailPonja@gmail.com
Registration is required for all events.
Registration info
Registration separately required for each dayDay 1 (4/27): go to
http://www.getty.edu/visit/calendar/reservations/13204.html
Day 2 (4/28): go to
http://www.getty.edu/visit/calendar/reservations/13055.html
Day 3 (4/29):
E-mail your name and affiliation to MailPonja@gmail.com